MUS 181 and 184
Computer Music II/ Electronic Ensemble
COURSE REQUIREMENTS:
REQUIRED READING:
MacQueen, Colin and Albanese, Steve. Pro Tools Power! Muska and Lipman Publishing, 2002.
SUGGESTED READING:
Persichetti, Vincent. Twentieth Century Harmony. W.W. Norton and Company.
Edstrom, Brent. Making Music With Your Computer, Second Edition. EM Books, 2001, (artistpro.com) LLC). ISBN 0-87288-744-8.
Dodge, Charles and . Jerse, Thomas A. Computer Music: Synthesis, Composition and Performance. Second edition. New York: Macmillan Library, 1997.
Gibson, Bill. Audio Pro Home Recording Course, Volumes I and II. Hal Leonard Corporation.
This class is intended to be equal parts fun and hard work. You may work with me on an individually designed project (such as scoring music for a video game, for example), or do a traditional composition project. Your grade is based on attendance, completed lab hours, effort, general participation and regular completion of work, and participation in the concerts.
GRADING:
Attendance and class participation ------------------------------------------------- 20%
Weekly assignments ----------------------------------------------------------------- 20%
Lab Quizzes --------------------------------------------------------------------------- 20%
Concert Participation/Final Composition Project -------------------------------- 40%
Week 1
Introduction
Week 2
Melody to go with a film, poem, lyrics, book, dance, or video game.
Introduction to Pro Tools
Week 3
LAB QUIZ ONE
Intro to scale materials
File Management in Pro Tools
Week 4
PROJECT PROPOSAL DUE
Scoring for film and other media
Basic Recording Techniques
Week 5
LAB QUIZ TWO
Introduction to intervals
Basic Editing in Pro Tools
Week 6
Theme and Variations
Mixing and EQ theory
Week 7
LAB QUIZ THREE
Theme and Variations continued
Mixing and EQ theory continued
Week 8
Use of leitmotivs in music
FIRST DRAFT OF FINAL PROJECT DUE
Week 9
LAB QUIZ FOUR
Chord construction and progression
Effects processing
Week 10
LAB QUIZ FIVE
Chord construction and progression continued
Effects processing continued
Week 11
Composition using an ostinato
Panning and stereo imaging
Week 12
SECOND DRAFT OF FINAL PROJECT DUE
LAB QUIZ SIX
Scale materials revisited
Sound synthesis
Week 13
Preparation for concert/final project
Week 14
Preparation for concert/final project
Week 15
Preparation for concert/final project
Week 16
Work on final projects