This is the same study guide that you have in your Course Packet.
Manet |
Monet |
Renoir |
Degas | |
Subjects: |
Took classical subjects and updated them with contemporary models and situations. Early work: Realist. Late work: Impressionist. | Landscapes, riverside scenes. Late work: series on haystacks, waterlily pond, Rouen Cathedral; increasingly abstract. | Female nudes, people in liesure time activities (cafés, dance halls). Late work: solid-looking female nudes, often bathing. | Interior scenes of ballerinas, laundresses, women bathing. |
Style: |
Black outlines, little shading, visible brushstrokes, emphasis on surface. Late work: more colorful. | Bright colors, choppy brushstorkes, atmospheric quality. Late style: very misty look, indistinct forms, solid matter seems to dissolve. | Feathery brushstrokes, colorful scenes, blurred backgrounds. Late style: disciplined, yet jittery, brushstrokes, not as much spontaneity in composition. | Duller, sometimes caustic coloring with pastels; spontaneous looking compositions with figures crammed into a corner; large open areas devoid of figures; people cut off on the edge of the canvas. |
Quote: |
"I am fated to be vilified, and I accept it philosophically...But after I am dead they will realize I saw and thought with exactitude." | "When you go out to paint, try to forget what objects you have before you - a tree, a house, a field, or whatever. Merely think, Here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives your own naive impression of the scene before you." | "For me a picture should be a pleasant thing, joyful and pretty - yes pretty! There are quite enough unpleasant things in life without the need for us to manufacture more." | "A painting needs as much fraudulence, trickery and deception as the perpetration of a crime. Paint falsely, and then add a whiff of nature." |