This is the same video worksheet that you have in your Course Packet. Try to answer the questions yourself before looking at the answer. You should be able to answer most of these based on your lecture notes and readings. To see the answer, click on the pop-up menu.

Art of the Western World: "Into the 20th Century"

1. At the beginning of the 20th century, __________ breakthroughs not only questioned our way of seeing the world, but the nature of reality itself.

A) Scientific.
B) Computer.
C) Interior Design.
D) Biological.

2. In Vienna in 1897, a group of artists and architects seceded (or broke away) from the Academy of Fine Arts to form their own organization: the __________.

A) Untouchables.
B) Mod Squad.
C) Secession.
D) A-Team.

3. The painter Egon Schiele's depictions of the female nude are projections of __________.

A) Male sexual feeling.
B) Schiele's unresolved conflicts with his mother.
C) Poor academic training.
D) Freud's theory of penis envy.

4. Schiele's willingness to confront himself and his world directly is at the core of __________.

A) Impressionism.
B) Classical art.
C) Abstract Expressionism.
D) Modern art.

5. Die Brücke (The Bridge) artists were inspired by the directness and spontaneity of __________.

A) "Primitive" art.
B) Pop Art.
C) Circus performers.
D) Television.

6. Best known among the Fauve artists was __________.

A) Frank Fauve.
B) Andy Warhol.
C) Henri Matisse.
D) Pablo Picasso.

7. __________ means "wild beast." It was a critic's tag referring to the seeming "wildness" in the bright coloring and distortions of the paintings.

A) Cubism.
B) Fauve.
C) Die Brücke.
D) Art Nouveau.

8. In the early years of this century, one city was viewed as the center of modernism; and one artist in this city is still for us the modern artist. Who is the artist and what is the city?

A) Michelangelo/Rome.
B) Jackson Pollock/New York.
C) Pablo Picasso/Paris.
D) Francisco Goya/Madrid.

9. Pablo Picasso's __________ is repeatedly claimed to be the first modern painting of the 20th century.

A) The Maids of Honor.
B) Les Demoiselles d'Avignon.
C) Nude Descending a Staircase.
D) My First Modern Painting.

10. Picasso's Les Demoiselles d'Avignon opened the way to the 20th century movement: __________.

A) Cubism.
B) Impressionism.
C) Neoclassicism.
D) Romanticism.

11. In Picasso's Les Demoiselles d'Avignon, multiple viewpoints and the flattening of space were to be characteristic of __________ painting.

A) Abstract Expressionist.
B) Cubist.
C) Surrealistic.
D) Fauvist.

12. The nudes in Picasso's Les Demoiselles d'Avignon are presented to us as __________.

A) Nuns.
B) Prostitutes.
C) Saints.
D) Nudist camp counselors.

13. Wassily Kandinsky formed a new group of artists, __________ (The Blue Horseman), which was concerned with an impending apocalypse.

A) Der Blaue Reiter.
B) Der Wienerschnitzel.
C) Der Beer Stein.
D) Der Smurf Horseman.

14. __________ artists attacked truth, beauty, reason, and science.

A) Mama.
B) Dada.
C) Doo-doo.
D) Ding Dong.

15. Marcel Duchamp produced his __________, ordinary items promoted to the status of art objects simply because the artist had signed them.

A) "Ready mades."
B) Paintings.
C) "Junk."
D) "Stuff."

16. In the early 1920s, __________ became one of the first Western artists to paint in a pure, abstract manner.

A) Piet Mondrian.
B) Francisco Goya.
C) Édouard Manet.
D) Vincent van Gogh.

17. Established in 1919, __________ was a design school where the objective was to rethink all aspects of the environment.

A) The White House.
B) The Bauhaus.
C) Palomar College.
D) University of Paris.

18. In New York, the Rockefellers commissioned a huge mural from the famous __________ painter Diego Rivera.

A) American.
B) Russian.
C) Mexican.
D) French.

19. Through his naturalistic style, __________ gives a sense of reality to images that are unreal, inspired by nightmares and visions.

A) Salvador Dali.
B) Leonardo da Vinci.
C) Peter Paul Rubens.
D) Andy Warhol.

20. In just a few weeks, __________ painted the huge canvas Guernica. It is a political statement against blind cruelty.

A) Jackson Pollock.
B) Pablo Picasso.
C) Salvador Dali.
D) Rembrandt.

21. As Nazi persecution grew more intense, many artists fled to London and especially to __________.

A) The Soviet Union.
B) The United States.
C) Berlin.
D) Tahiti.

22. Around the years 1939-1940, the center of creative vitality in the Western visual arts moved away from Paris to __________.

A) San Marcos.
B) Los Angeles.
C) New York.
D) Rome.

23. The art of the 40 years at the beginning of the century was an art based on __________, despite war and fascism.

A) Optimism.
B) Rationality.
C) Realism.
D) Hatred.
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